Duc Ba Cathedral

Duc Ba Cathedral Location: Duc Ba Cathedral is located on Han Thuyen Street, facing down Dong Khoi Street, District 1, Ho Chi Minh City. Characteristic: The resplendent Governor�s Palace, completed in 1875, symbolized the regime�s political power in Asia. And five years later, the Duc Ba (Our Lady�s) Cathedral was inaugurated, and became the spiritual and cultural crucible of the French presence in the Orient.

After the first French colonizing force arrived in Vietnam in the mid - 19thcentury, it took only 21 years before the country had a cathedral to match the hulking Gothic edifices of France itself. The cathedral is supposed to represent the glory of the French Empire. Yet, as is always the case with colonization, this attempt to import French traditions into Vietnam transformed the colonizers� culture in the process. Even though the cathedral is built in a Western architectural style, it has a uniquely Eastern aspect. Several architects put forward design proposals for the cathedral, but in 1877 the authorities selected Mr Bourard, who was famed for his religious architecture. He envisaged, and executed, a basilica-like structure with a square plan. The cathedral is composed of two main central bays with two sidereal corridors, with tall pillars and light coming in through sets of high windows, and a semi-circular shrine. The style follows a Roman pattern, although the outside contains some modifications: the cathedral�s vaults are Gothic, and a modern steel skeleton supports the whole building. In 1894 a pointed minaret was added to the bell tower, at the behest of an architect named Gardes, who was also responsible for the Xa Tay Palace, the building that now houses the Municipal People�s Committee. The cathedral is a much smaller than those in France, but it was the largest in the French empire. The interior is very large: the principal shrine and two additional bays are 93m long, and reach 35m in width at one point. The semi-circular shrine at the rear seats a choir during services, and there are five chapels. The walls are made of Bien Hoa granite, combined with red tiles from Marseilles, all without coating. Red tiles from France were also used on the roofs, but they were later replaced with tiles of equal quality from Phu Huu. Natural light streams in through stained-glass windows which were made by the Lorin Company from the French town of Sartre. The whole building is well-ventilated thanks to a system of air-holes placed above and under the windows. The belfry is 57m high. For a long time it was the highest structure in the city centre, and was the first thing an arriving traveller would see when approaching the city by boat. Six bells weigh a combined 25,850kg. In 1885, the floor was taken apart and new pillars were added, because the original foundation could not bear the cathedral�s weight. Stepping inside the cathedral, tourists see a line of Chinese characters eulogizing the Jesus� mother, "the innocent and unblemished Virgin Mother", and stained-glass portraits of Vietnamese believers amid Asiatic plants. On the square in front of the cathedral, there is a statue of the Virgin Mother made of white marble, symbolizing peace. All told, it�s an unusual building: a Western architectural and religious style that has been transplanted into, and adapted to, the East. The colonizers were trying to impose French beliefs and customs onto Vietnam but once that culture arrived on Asia�s shores, it took on a life of its own. The cathedral is seen as a unique synthesis, adding an unmistakable Oriental flavour to an ancient Occidental recipe. From : vietnamtourism.com

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Ho Chi Minh City

Ho Chi Minh City Area: 2,098.7 sq. km Population: 6,105.8 thousand habitants (2006) Administrative divisions: - Districts: District 1, District 2, District 3, District 4, District 5, District 6, District 7, District 8, District 9, District 10, District 11, District 12, Tan Binh, Binh Thanh, Phu Nhuan, Thu Duc, Go Vap, Binh Tan,Tan Phu. - Rural districts: Nha Be, Can Gio, Hoc Mon, Cu Chi, Binh Chanh. Ethnic groups: Viet (Kinh), Hoa, Khmer, Cham...

Geography In the core of the Mekong Delta, Ho Chi Minh City, formerly known as Saigon, is second the most important in Vietnam after Hanoi. It is not only a commercial center but also a scientific, technological, industrial and tourist center. The city is bathed by many rivers, arroyos and canals, the biggest river being the Saigon River. The Port of Saigon, established in 1862, is accessible to ships weighing up to 30,000 tons, a rare advantage for an inland river port. Climate:The climate is generally hot and humid. There are two distinctive seasons: the rainy season, from May to November, and the dry season, from December to April. The annual average temperature is 27ºC. The hottest month is April and the lowest is December. It is warm all year. History Many centuries ago, Saigon was already a busy commercial center. Merchants from China, Japan and many European countries would sail upstream the Saigon River to reach the islet of Pho, a trading center. In the year of 1874, Cho Lon merged with Saigon, forming the largest city in the Indochina. It had been many times celebrated as the Pearl of the Far East. After the reunification of the country, the 6th National Assembly in its meeting of the 2nd of July, 1976, has officially rebaptized Saigon, Ho Chi Minh City. The history of city relates closely with the struggle for the independence and freedom of Vietnam. Tourism Today, Ho Chi Minh City is the big tourism center in Vietnam, attracting a large of visitors to Vietnam. Ho Chi Minh City has various attractions as Ho Chi Minh Museum, formerly known as Dragon House Wharf, Cu Chi Tunnels, system of museums, theatres, cultural houses... Recently, many tourist areas are invested such as Thanh Da, Binh Quoi Village, Dam Sen Park, Saigon Water Park, Suoi Tien, Ky Hoa..., which draw numerous tourists. Despite its quite recent past, Ho Chi Minh City nevertheless possesses various beautiful buildings, displaying a characteristic combination of Vietnamese, Chinese and European cultures. These include Nha Rong (Dragon House Wharf), Quoc To Temple (National Ancestors Temple), Xa Tay (Municipal Office), Ho Chi Minh Municipal Theatre as well as many pagodas and churches (Vinh Nghiem, Giac Vien, Giac Lam, Phung Son pagodas...). After more than 300 years of development, Ho Chi Minh City presents many ancient architectural constructions, famous vestiges and renowned sights. It is remarkable for its harmonious blending of traditional national values with northern and western cultural features. Transportation Ho Chi Minh City is the main junction for trains, roads, water, and air transportation systems for domestic trips and for foreign destination. - Roads: Ho Chi Minh City is 1,730km from Hanoi, 99km from Tay Ninh, 30km from Bien Hoa (Dong Nai), 70km from My Tho, 125km from Vung Tau, 168km from Can Tho, 308km from Dalat, and 375km from Buon Ma Thuot. The City has National Highway 13 which connects Vietnam with the rest of Indochina. - Train: Thong Nhat express train connects Ho Chi Minh City and Hanoi, vie many provinces in Vietnam. - Air: Tan Son Nhat International Airport, 7km from center of city, is the biggest airport with many domestic and international routes. There are flights from Hanoi and Danang to Ho Chi Minh City and between ?the City to many regions as well a lot of countries on over the world. From: vietnamtourism.com

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My Son Site

My Son, located 69 km southwest of Danang, was an imperial city during the Cham dynasty, between the 4th and 12th centuries. My Son Sanctuary is a large complex of religious relics that comprises more than 70 architectural works. They include temples and towers that connect to each other with complicated red brick designs. The main component of the Cham architectural design is the tower, built to reflect the divinity of the king.

According to records on the stone stele, the prime foundation of the ancient My Son architectural complex was a wooden temple to worship the Siva Bhadresvera genie. In the late 16th century, a big fire destroyed the temple. Step by step, historical mysteries were unveiled by scientists. Through stone stele and royal dynasties, they proved My Son to be the most important Holy Land of the Cham people from the late 4th to the 15th centuries. For many centuries, the Cham built Lip, a mutually linked architectural complex, with baked bricks and sandstone. The main temple worships the Linga-Yoni, who represents the capability of invention. Beside the main tower (Kalan) are several sub-towers worshipping Genies or deceased kings. Although time and the wars have destroyed some towers, the remaining sculptural and architectural remnants still reflect the style and history of the art of the Cham people. Their masterpieces mark a glorious time for the architecture and culture of the Cham, as well as of Southeast Asia.

Each historical period has its own identity, so that each temple worshipping a genie or a king of a different dynasty has its own architectural style full of different impression. All of the Cham towers were built on a quadrate foundations and each comprises three parts: a solid tower base, representing the world of human beings, the mysterious and sacred tower body, representing the world of spirits, and the tower top built in the shape of a man offering flowers and fruits or of trees, birds, animals, etc., representing things that are close to the spirits and human beings.

According to many researchers of the ancient Cham towers, the architectural art of the Cham towers at My Son Sanctuary is the convergence of different styles, including the continuity of the ancient style in the 7th-8th centuries, the Hoa Lai style of the 8th-9th centuries, the Dong Duong style from the mid-9th century, the My Son and My Son-Binh Dinh styles, etc. Among the remnants of many architectural sites excavated in 1898, a 24 metres high tower was found in the Thap Chua area and coded A I by archaeologists and researchers on My Son. This tower is a masterpiece of ancient Cham architecture. It has two doors, one in the east and the other in the west. The tower body is high and delicate with a system of paved pillars; six sub-towers surround the tower. This two storey tower looks like a lotus flower. The top of the upper layer is made of sandstone and carved with elephant and I ion designs. In the lower layer, the walls are carved with fairies and water evils and men riding elephants. Unfortunately, the tower was destroyed by US bombs in 1969.

After the My Son ancient tower complex was discovered, many of its artifacts, especially statues of female dancers and genies worshipped by the Cham people, worship animals and artifacts of the daily communal activities, were collected and displayed at the Cham Architecture Museum in Danang city. Although there are not many remnants left, those that remain display the typical sculptural works of cultural value of the Cham nationality. Furthermore, they are vivid proof, confirming the history of a nationality living within the Vietnamese community boasting of a rich cultural tradition.

From: vietnamtourism.com

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Hoi An-Viet Nam

The ancient town of Hoi An, 30 km south of Danang, lies on the banks of the Thu Bon River. Occupied by early western traders, Hoi An was one of the major trading centers of Southeast Asia in the 16th century.

Hoi An has a distinct Chinese atmosphere with low, tile-roofed houses and narrow streets; the original structure of some of these streets still remains almost intact. All the houses were made of rare wood, decorated with lacquered boards and panels engraved with Chinese characters. Pillars were also carved with ornamental designs.

Tourists can visit the relics of the Sa Huynh and Cham cultures. They can also enjoy the beautiful scenery of the romantic Hoi An River, Cua Dai Beach, and Cham Island.

Over the last few years, Hoi An has become a very popular tourist destination in Vietnam.

Light Bright

NO FLUORESCENT LIGHTS. NO MOTORCYCLES. NO TELEVISION. ON THE 14TH DAY OF EACH LUNAR MONTH, THE RIVERSIDE TOWN OF HOI AN GIVES MODERN LIFE THE NIGHT OFF.

In a wood-fronted shops a woman in traditional dress sits at a desk, bathed in the light of a lantern made from a simple bamboo fish-trap. Outside, two old men are absorbed in a candlelit game of Chinese checkers. These scenes, straight out of the 19th century, still take place in Hoi An, a sleepy riverside town in the central province of Quang Nam.

Hoi An has long been a cultural crossroad. More than five centuries ago the Vietnamese nation of Dai Viet expanded its territory southwards, encroaching on the Indianized Kingdom of Champa, which covered much of what is now central Vietnam. Hoi An, located on the Hoai River, emerged when Japanese and Chinese traders built a commercial district there in the 16th century.

These diverse cultural influences remain visible today. Visitors will find Hoi An's Old Quarter lined with two-storey Chinese shops, their elaborately carved wooden facades and moss-covered tile roofs having withstood the ravages of more than 300 years of weather and warfare. These proud old buildings, which back onto the river, remind visitors of another era, when Hoi An's market was filled with wares from as far afield as India and Europe. Colourful guildhalls, founded by ethnic Chinese from Guangdong and Fujian provinces, stand quietly, a testament to the town's trading roots.

While Hoi An's old-fashioned charm is always visible, on the 14th of every lunar month modernity takes another step back. On these evenings the town turns off its street lamps and fluorescent lights, leaving the Old Quarter bathed in the warm glow of coloured silk, glass and paper lanterns. In ancient times, Vietnamese people made lamps out of shallow bowls filled with oil. Later, foreign traders introduced lanterns, ranging from round and hexagonal designs from China to diamond and star shaped ones from Japan.

Let there be light

When developing plans to preserve their town's ancient character, Hoi An residents decided to revive the practice of using coloured lanterns. Starting in the fall of 1998, one night each month is declared a "lantern festival". On the 14th day of each lunar month, residents on Tran Phu, Nguyen Thai Hoc, Le Loi and Bach Dang streets switch off their lights and hang cloth and paper lanterns on their porches and windows. Television sets, radios, street lights and neon lights are turned off.

In the ensuing quiet the streets of Hoi An are at their most romantic, the darkness broken only by jeweltoned lanterns in all manner of shapes and sizes.

Strolling through the lantern-lit streets is like walking into a fairytale. It is all the more picturesque since motor vehicles are banned from Hoi An's Old Quarter. On Trai Phu Street, stop at the beautifully preserved Faifo Restaurant to sample some traditional Chinese-style pastries. Or walk on to the Treated Café, where bamboo baskets, commonly used to wash rice, have been transformed into unique lanterns. These basket lamps are but one example of people's creativity as they experiment with new shapes and materials, including lights made from hollow bamboo tubes.

A Warm Glow

The 14th day of the lunar month is a Buddhist day of worship. Residents place offerings of food and incense on their ancestral altars and visit one of Hoi An's many pagodas. The scent of incense and the sounds of people singing add to the town's enchanted atmosphere. On these evenings, visitors will get a rare glimpse into another era. These nights are a welcome reminder of life's unexpected beauty.

From: vietnamtourism.com

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Phong Nha-Ke Bang national park, world heritage

Viet Nam's Phong Nha-Ke Bang national park has been recognised as a world natural heritage site by the United Nations Educational, Scientific and Cultural Organisation (UNESCO) at its 27th general assembly session being held in Paris from June 30-July 5.

At the session, delegates from over 160 member countries of UNESCO World Heritage Convention agreed to include Phong Nha-Ke Bang park and 30 others worldwide to the list of world heritage sites.

Phong Nha-Ke Bang park is now the fifth UNESCO recognised site in Viet Nam after Ha Long Bay, the imperial city of Hue, the ancient quarter of Hoi An and the My Son historical site.

Phong Nha-Ke Bang national park, located to the north of the majestic Truong Son range in central Quang Binh province, is one of the world's two largest limestone regions.

The over 200,000 ha of parkland includes beautiful limestone formations, grottoes and caves, and boasts lush forestland covering 95 percent of the park area.

The area is considered a paradise for researchers and explorers of grottoes and caves, and Vietnamese and British scientists have so far surveyed 20 with a total length of 70km. Of them, 17 are in the Phong Nha area and three in the Ke Bang area.

The Phong Nha cave itself which lends its name to the whole system is probably the most beautiful of all, containing many fascinating rock formations, enchanting visitors with evocative names such as Lion, Fairy Caves, Royal Court and Buddha.

Besides the grotto and cave systems, Phong Nha has the longest underground rivers, the largest caverns and passageways, the widest and prettiest sand banks, and the most astonishing rock formations in the world.

According to initial statistics, the primitive tropical forest in Phong Nha-Ke Bang houses 140 families, 427 branches, and 751 species of high-rated plants, of which 36 species are endangered and listed in the Viet Nam Red Book. The forest is also home to 32 sets, 98 families, 256 races and 381 species of four land backboned animals. Sixty-six animal species are listed in the Viet Nam Red Book and 23 other species in the World Red Book. In general, Phong Nha-Ke Bang's animals are more diverse than in other natural reserves and national parks.

Phong Nha-Ke Bang also boasts dozens of mountain peaks of over 1,000 metres still unexplored by men and seen as ideal sites for activities like climbing and exploration. Worthy of note are Peak Co Rilata with the height of 1,128 m and Peak Co Preu, 1,213 m. Lying between these peaks are valleys which promise tourists exciting eco-tours.

In addition to the diversity in the ecosystem, Phong Nha-Ke Bang is home to archeological and historical relics, such as an ancient hieroglyphic script of the Cham ethnic minority, King Ham Nghi's base built for the resistance war against French colonialists in the late 19th century, and the Xuan Son ferry station, Ho Chi Minh Trail and Road 20 used during the US resistance war.Central Quang Binh province has poured heavy investment into upgrading the Phong Nha-Ke Bang visitor site to turn it into the country's major tourist destination.

From:vietnamtourism.com

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Ha Long - Bay of the Descending Dragon

The end of the Vietnam war, and the advent of "Doi moi", Vietnam's policy of opening its economy to foreign trade, means that Westerners and South Vietnamese now have a chance to visit Ha long. Vinh Ha Long or Bay of the Descending Dragon is often touted by proud Vietnamese as the world's Eighth wonder. One of the main attractions of Ha long is the bay's calm water and the thousands of limestone mountains dotting the seascape. The Bay's water is clear during the spring and early summer. Some of the islands are quite large and there are small alcoves with sandy beaches where swimming is possible. Ha Long bay lies in the northeastern part of Vietnam and is 165 Km from Hanoi.

Ha Long literally means descending dragon(s) and according to local myth, the story goes as follows:
Long ago when their forefathers were fighting foreign invaders from the north, the gods from heaven sent a family of dragons to help defend their land. This family of dragons descended upon what is now Ha Long bay and began spitting out jewels and jade. Upon hitting the sea, these jewels turned into the various islands and islets dotting the seascape and formed a formidable fortress against the invaders. The locals were able to keep their land safe and formed what is now the country of Vietnam. The Dragon family fell so much in love with this area for its calm water and for the reverence of the people of Vietnam that they decided to remain on earth. Mother dragon lies on what is now Ha Long and where her children lie is Bai Tu Long. The dragon tails formed the area of Bach Long Vi known for the miles of white sandy beaches of Tra Co peninsula (see map).
This myth is in line with the Vietnamese myth of their origin Con Rong Chau Tien. This myth describes the union between a king (representing the dragon) and his bride (representing a goddess) giving birth to 100 children which are the ancestors of the Vietnamese people. The Ha Long myth illustrate the Vietnamese belief of their origin and the fact that throughout their history, they are aided by their ancestors, the dragon and the gods, in the defense of their land.

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