Showing posts with label Read. Show all posts
Showing posts with label Read. Show all posts

The Mower Against Gardens

by Andrew Marvell
(1621-1678)


Luxurious Man, to bring his Vice in use,
Did after him the World seduce:
And from the Fields the Flow'rs and Plants allure,
Where Nature was most plain and pure.
He first enclos'd within the Gardens square
A dead and standing pool of Air:
And a more luscious Earth for them did knead,
Which stupifi'd them while it fed.
The Pink grew then as double as his Mind;
The nutriment did change the kind.
With strange perfumes he did the Roses taint.
And Flow'rs themselves were taught to paint.
The Tulip, white, did for complexion seek;
And learn'd to interline its cheek:
Its Onion root they then so high did hold,
That one was for a Meadow sold.
Another World was search'd, though Oceans new,
To find the Marvel Of Peru.
And yet these Rarities might be allow'd,
To Man, that Sov'raign thing and proud;
Had he not dealt between the Bark and Tree,
Forbidden mixtures there to see.
No Plant now knew the Stock from which it came;
He grafts upon the Wild the Tame:
That the uncertain and adult'rate fruit
Might put the Palate in dispute.
His green Seraglio has its Eunuchs too;
Lest any Tyrant him out-doe.
And in the Cherry he does Nature vex,
To procreate without a Sex.
'Tis all enforc'd; the Fountain and the Grot;
While the sweet Fields do lye forgot:
Where willing Nature does to all dispence
A wild and fragrant Innocence:
And Fauns and Faryes do the Meadows till,
More by their presence then their skill.
Their Statues polish'd by some ancient hand,
May to adorn the Gardens stand:
But howso'ere the Figures do excel,
The Gods themselves with us do dwell.
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Lines Left upon a Seat in a Yew-tree

Lines Left upon a Seat in a Yew-tree
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William Wordsworth (1795)
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Lines Left upon a Seat in a Yew-tree which stands near the lake of Esthwaite, on a desolate part of the shore, commanding a beautiful prospect.

Nay, Traveller! rest. This lonely Yew-tree stands
Far from all human dwelling: what if here
No sparkling rivulet spread the verdant herb?
What if the bee love not these barren boughs?
Yet, if the wind breathe soft, the curling waves,
That break against the shore, shall lull thy mind
By one soft impulse saved from vacancy.
--------------------Who he was
That piled these stones and with the mossy sod
First covered, and here taught this aged Tree
With its dark arms to form a circling bower,
I well remember.--He was one who owned
No common soul. In youth by science nursed,
And led by nature into a wild scene
Of lofty hopes, he to the world went forth
A favoured Being, knowing no desire
Which genius did not hallow; ’gainst the taint
Of dissolute tongues, and jealousy, and hate,
And scorn,--against all enemies prepared,
All but neglect. The world, for so it thought,
Owed him no service; wherefore he at once
With indignation turned himself away,
And with the food of pride sustained his soul
In solitude.--Stranger! these gloomy boughs
Had charms for him; and here he loved to sit,
His only visitants a straggling sheep,
The stone-chat, or the glancing sand-piper:
And on these barren rocks, with fern and heath,
And juniper and thistle, sprinkled o’er,
Fixing his downcast eye, he many an hour
A morbid pleasure nourished, tracing here
An emblem of his own unfruitful life:
And, lifting up his head, he then would gaze
On the more distant scene,--how lovely ’tis
Thou seest,--and he would gaze till it became
Far lovelier, and his heart could not sustain
The beauty, still more beauteous! Nor, that time,
When nature had subdued him to herself,
Would he forget those Beings to whose minds,
Warm from the labours of benevolence,
The world, and human life, appeared a scene
Of kindred loveliness: then he would sigh,
Inly disturbed, to think that others felt
What he must never feel: and so, lost Man!
On visionary views would fancy feed,
Till his eye streamed with tears. In this deep vale
He died,--this seat his only monument.
If Thou be one whose heart the holy forms
Of young imagination have kept pure,
Stranger! henceforth be warned; and know that pride,
Howe’er disguised in its own majesty,
Is littleness; that he, who feels contempt
For any living thing, hath faculties
Which he has never used; that thought with him
Is in its infancy. The man whose eye
Is ever on himself doth look on one,
The least of Nature’s works, one who might move
The wise man to that scorn which wisdom holds
Unlawful, ever. O be wiser, Thou!
Instructed that true knowledge leads to love;
True dignity abides with him alone
Who, in the silent hour of inward thought,
Can still suspect, and still revere himself
In lowliness of heart.
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William Wordsworth: The World Is Too Much with Us (1807)

Wordsworth was born and lived most of his life in the rural northwest of England known as the Lake District. Like many other Romantic writers, he saw in Nature an emblem of god or the divine and his poetry often celebrates the beauty and spiritual values of the natural world. He revolutionized English poetry with the publication of Lyrical Ballads (1798), co-authored with his friend Samuel Taylor Coleridge who contributed "The Rime of the Ancient Mariner" for the volume. In this book Wordsworth sought to break the pattern of artificial situations of eighteenth-century poetry, which had been written for the upper classes, and to write in simple, straightforward language for the common man. Other English Romantic poets would follow Wordsworth's lead in taking apparently insignificant moments and, by observation and contemplation, raising them to illuminations of experience. Wordsworth defined poetry as the "spontaneous overflow of powerful feelings," intense "emotion recollected in tranquillity." In the sonnet "The World Is Too Much with Us" the poet contrasts Nature with the world of materialism and "making it." Because we are insensitive to the richness of Nature, we may be forfeiting our souls. To us there is nothing wonderful or mysterious about the natural world, but ancients who were pagans created a colorful mythology out of their awe of Nature.

What does Wordsworth think is wrong with the modern world?


The world is too much with us; late and soon,
Getting and spending, we lay waste our powers;
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon,
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers,
For this, for everything, we are out of tune;
It moves us not.--Great God! I'd rather be
A Pagan suckled in a creed outworn; (1)
So might I, standing on this pleasant lea, (2)
Have glimpses that would make me less forlorn;
Have sight of Proteus (3) rising from the sea;
Or hear old Triton (4) blow his wreathed horn.


(1) Brought up in an outdated religion.

(2) Meadow.

(3) Greek sea god capable of taking many shapes.

(4) Another sea god, often depicted as trumpeting on a shell.

From:wsu.edu

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